Preston Lauterbach is a friend of mine — going back to my days in Memphis. Great guy, he is. And he knows a thing or two about music — and good eats. I was pretty impressed when he first mentioned that he was undertaking this project. It’s a big topic. But also a topic that has not been well documented in the recent past.
All that being said, I am even more impressed by the finished project. This is a well-researched and entertaining story. Preston has a way with words. His method is hip and engaging. He educates without sounding like a professor. I buzzed through this book in no time flat. I had long thought that I was well versed when it came to this shadowy corner of rock n’ roll history. Boy, was I wrong. So many wonderful nuggets of knowledge to be found — and savored.
This is a tasty pot of musical stew – and one I would suggest you dig into.
A definitive account of the birth of rock ‘n’ roll in black America, this book establishes the Chitlin’ Circuit as a major force in American musical history. Combining terrific firsthand reporting with deep historical research, Preston Lauterbach uncovers characters like Chicago Defender columnist Walter Barnes, who pioneered the circuit in the 1930s, and larger-than-life promoters such as Denver Ferguson, the Indianapolis gambling chieftain who consolidated it in the 1940s. Charging from Memphis to Houston and now-obscure points in between, The Chitlin’ Circuit brings us into the sweaty back rooms where such stars as James Brown, B. B. King, and Little Richard got their start.
With his unforgettable portraits of unsung heroes including King Kolax, Sax Kari, and Clarence “Gatemouth” Brown, Lauterbach writes of a world of clubs and con men that has managed to avoid much examination despite its wealth of brash characters, intriguing plotlines, and vulgar glory, and gives us an excavation of an underground musical America. 34 black-and-white illustrations